Category: Series of posts
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Top 40 over 40.21: Gary Numan live at Moogfest
The first New Wave / Post Punk song I ever fell in love with was Cars by Gary Numan, which came out when I was in 5th grade. I used to listen to Casey Kasem’s Top 40 Countdown every week with a friend and we’d write the sequence down in a notebook. Then I would […]
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Top 40 Over 40.20: L. Subramaniam live
Sometimes you just gotta trust a friend. Every year Duke Performances has a concert series you can buy into at a package discount. I pick up seats for the shows I wanna see before it all starts, and watch the dates roll forward and wash over me as the year unfolds. At the suggestion of my […]
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Pretty Bubbles Turning Into Grime
Michael Hudson has a new book out so I thought it was high time I posted some thoughts I’ve been meaning to write up about his last one, The Bubble and Beyond. I’ve posted before about Hudson’s 1973 classic Superimperialism, whose analysis of the economic strategy of American Empire was followed by a terrific 1977 […]
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The Core is Getting Soft.16: Quick Shelving
I’ve been spending more time than I really wanted to figuring out how to translate incidental sounds from loops and samples on my forthcoming record to a live setting this week. I haven’t played live in more years than I can shake a stick at, and the last time I did this with Folk Implosion […]
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New Project Update
I’ve just posted an update to the Kickstarter page about where we’re at with mixing the new record. You can check it out here. In the meantime, here’s to rallies in the rain: April 15th, 2015 at Shaw University.
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The Core is Getting Soft.14: Bang a Slate
One of the digital tools I threw in the mix of my new record is SSD4, the drum sampler made by Slate Digital. It was the first time I used something other than an electronic drum machine to program drums. The closest I’d come to fake “real” drums was the time we sampled a drum […]
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Dirty Harry Does Diversity.1: Magnum Tucked In Tweed
One of the weirder phenomena of early 21st century cinema has been the emergence of Clint Eastwood as would-be spokesman for various groups marginalized by the white male power structure his famed ’70’s character Dirty Harry once defended with a famously long phallic symbol. Million Dollar Baby (2004) concerned itself with issues of gender and […]